Nikon Z5 II Overview
A High-Quality Creative Companion
The Nikon Z5 II serves as a reliable tool for your creative journey. It upgrades the original with faster processing, subject recognition AF, and better low-light performance. Creators love its new color preset button, ultra-bright viewfinder, and simple sharing features. This camera delivers full-frame imagery with ease.
24.5MP FX Sensor & EXPEED 7 Image Processor
Nikon pairs the full-frame 24.5MP BSI CMOS sensor with an EXPEED 7 processor. This combo boosts sensitivity, image quality, AI autofocus, and 30 fps full-resolution bursts. Native ISO ranges from 100-64000. Expand it to 50-204800 for extreme light. High resolution and sensor size ensure clean images, smooth colors, and low noise.
Autofocus You Can Trust
The Z5 II borrows Z9 algorithms and deep learning for Subject Detection across nine types—like people, animals, planes, and bikes. It includes a dedicated Bird mode. In Auto-Area AF, the camera detects, focuses on, and tracks subjects as they move.
Pre-Release Capture
EXPEED 7 enables Pre-Release Capture. This feature grabs up to 30 fps for one second before you fully press the shutter. Half-press starts the burst. The buffer saves frames after release. Catch decisive moments easily.
UHD 4K Video Recording
Shoot UHD 4K at 60 fps or Full HD at 120 fps. Record up to two hours with a self-timer, electronic VR, and HDMI output to external recorders. Create in-camera time-lapses in UHD 4K. Capture 12-bit N-RAW up to 4032 × 2268 or 10-bit H.265 in N-Log with free RED LUTs. Use Product Review mode or stream live (UAC/UAV compliant).
Sensor-Shift Vibration Reduction
Built into the body is a 5-axis sensor-shift Vibration Reduction (VR) mechanism that compensates for up to five stops of stabilization regardless of the lens in use. With compatible lenses, up to 7.5 stops of stabilization is possible. Also, benefitting video recording, Electronic VR is available to help steady footage to suit handheld shooting.
Color Control for Creators
Nikon has added a Picture Control button atop the Z5 II to make access to its 31 built-in presets available even in Auto mode. The color presets can now be overlaid in the rear LCD screen, giving you the ability to visualize the color shifts as you create. Creator Recipes built by fellow Nikon shooters are available through the Nikon Imaging Cloud and can be downloaded and integrated alongside the presets.
Body Design and Connectivity
- A large 3.2″ 2.1m-dot LCD screen doubles the brightness for clear and vivid image playback and live view shooting. The vari-angle touchscreen design boasts more intuitive operation, navigation, and settings control. The upgraded touchscreen now features the Touch FN option, which allows you to select the focus point with your fingertips.
- An ultra-bright, 3.69m-dot electronic viewfinder is present for comfortable eye-level viewing.
- Dual SD memory card slots both support up to the UHS-II protocol for high-speed and efficient photo and video file saving.
- The Warm Display Colors mode benefits shooting at night, switching the information display from white to red to reduce brightness and preserve night vision. Additionally, Starlight View mode gives a clear view even in near-complete darkness, which is beneficial for astrophotography.
- The headphone jack doubles as a terminal for Nikon’s optional MC-DC3 Remote Release Cord, and the USB-C terminal provides both camera charging and USB power delivery. A micro-HDMI port allows for external recording and live view.
- Built-in SnapBridge connectivity to enable seamless transfer of low-resolution imagery as well as remote shooting capabilities. BLE (Bluetooth Low Energy) and Wi-Fi enable communication between the camera and a smart device and, additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance.
- Included EN-EL15c rechargeable lithium-ion battery provides approximately 380 shots per charge, and in-camera charging is supported via USB, even when the camera is in use.
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